Raise your hand if you saw this one coming. The prospects for another strike went up as negotiations with the Screen Actors Guild (SAG) once again broke down, with the AMPTP (Alliance of Motion Picture and Television Producers) moving to negotiations with AFTRA (American Federation of Television and Radio Artists). Among the issues causing the split, and stop me if you've heard this one before, DVD residuals, streaming, and new media. Go figure. One new wrinkle in these negotiations comes in the form of an AMPTP provision that would give them free and unlimited use of short clips of an actor's work in movies and television.

Here we go again. We have barely healed from the wounds that the Writers Guild of America strike opened up late last year, now it's the Screen Actors Guild's turn to make us nervous about the television we watch.

Yesterday, SAG representatives began negotiations with the Hollywood studios by swapping contract proposals between the two parties. This is the first time in nearly three decades that the Guild is negotiating solo with the studios since the American Federation of Television and Radio Artists (AFTRA) has rejected combined talks. AFTRA is upset with the Guild over concerns that it is attempting to poach its members. The Guild is denying this accusation with the statement that it normally broils its members over a low flame with some butter sauce.

As the strike lingers on and the Writers Guild of American (WGA) and Alliance of Motion Picture and Television Producers (AMPTP) seem no closer to bridging their philosophical and monetary gap, the WGA is set to try a new tactic. According to Variety, the WGA is going to make a "legal demand" today for individual members of the AMPTP to schedule bargaining meetings with the WGA. However, at this point it isn't clear if the companies are legally obligated to do so, and if not, will they?

Our long, dark national nightmare ... continues. After four days of talks and media silence, the Alliance of Motion Picture and Television Producers (AMPTP) disclosed the latest offer presented by Hollywood studios to the striking writers. But the WGA (Writers Guild of America) quickly rejected this offer, according to Yahoo! News. The studios described their offer as a "new economic partnership" with writers, who refer to it instead as a "massive rollback."

They went on to disparage the offer point by point. As an example, the studio offered less than $250 for a year's reuse of an hour long show for Internet streaming, one of the biggest catalysts for the strike in the first place, as compared to $20,000 plus for a single network rerun airing.

Last week I mentioned that Standoff was a lot like Bones. But after this episode, I'm wondering if it's not that Standoff is like Bones, it's more like FOX has a specific formula for the way they do dramas now.

That's not necessarily a bad thing. It's not a good thing either, but this episode is a vast improvement over the pilot, if only because the premise was meatier, a little less predictable, and it had some genuine tension.