(S02E03) It looks like the production schedule had this one slated to be the second episode of the season, rather than the third. It was a little odd how much time was spent in showing Ballard getting used to the complete process in turning a Doll into an Active. I kept thinking, "He was fine with last week's mommy engagement?" Knowing that this was intended to be the first episode after he took on the role as her Handler makes more sense.
It also means FOX is screwing around with Whedon's intended schedule on his show ... again! I can't understand how network executives think narrative flow between episodes means nothing. Do they think that fans are so stupid we can't follow a thread between episodes, nor will we notice when things are out of whack?
This would probably have worked better as a second episode anyway, because it got a little more into the technology behind the Dollhouse, as well as how it can go wrong.
Yeah, me neither.
The last episode of Joss Whedon's Dollhouse, "Instinct," featured the newly liberated November/Madeline (Miracle Laurie) returning to the Dollhouse to undergo a "diagnostic." According to Adelle, the procedure is necessary to make sure Topher's tech didn't permanently blow a fuse inside Madeline's pretty head. Madeline was understandably cautious when Adelle came to visit her and prod her into getting the check-up. "I have this irrational fear that if I say the wrong thing, men in suits are going to throw me in a black van and take me away," she said.
Can you blame her?
(S02E02) So, um, what happened? Dollhouse came back last week and posted its lowest ratings to date. It's a shame, because the show continues to find its footing. What was impressive this time was that the episode was compelling and dramatic, and it had virtually nothing to do with the overall story-arc for the series.
Just like some of the best episodes of The X-Files were "monster-of-the-week" installments, this "imprint-of-the-week" chapter was simply brilliant. It explored the full capabilities of the Dollhouse technology, where we got our first hint that Topher's genius can sometimes push him to doing things he shouldn't. At least not without testing. It's this character flaw that led to his failures in "Epitaph One."
(S01E13) This episode of Dollhouse never actually aired on Fox, and in fact, it's not going to. I'm not sure why, though, because I thought it was fantastic. Yes, it was a dramatic departure from what had gone before, but despite its unique presentation, it offered some amazing insight into the world of Whedon's Dollhouse, and its future.
"Epitaph One" will be available on the Dollhouse: Season One DVD, available July 28, 2009. It was also screened this past weekend at Comic-Con. Even though I wasn't there, I did manage to get my hands on it, so join me, if you will, for a very spoilery look at the true season finale of Dollhouse.
My roommates and I were obsessed with this show when it was on in 1990. We were all living in the same condo, all of them in college and me...not. We'd spend our time playing tennis, eating subs and Chinese, and watching Star Trek: TNG, MacGyver, reruns of Spenser: For Hire, and this show.
Married People was a short-lived sitcom on ABC. It was about the lives of several married couples who all lived in the same building in New York City. The star of the show was Jay Thomas, who was married to Bess Armstrong (they were the "middle" couple). The "older" couple (also the landlords in the building) was played by Ray Aranha and Barbara Montgomery, and the "younger" couple was played by Chris Young (from Max Headroom) and Megan Gallivan. Several episodes were directed by veteran director Asaad Kelada.
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