paget brewster

(S02E23) "Frank's back." - Morgan

Just like last year, Criminal Minds knows how to properly handle a season finale. This was a spectacular episode, and even thought it ended with a cliffhanger that came completely out of left field, I still ate up every second of it.

Frank, the most prolific serial killer ever, has returned and this time he's out to get Gideon. First off though, I have to say - I am terrified of Keith Carradine. Man... that guy is creepy. However, he played his part to perfection and it made for a thoroughly engrossing chase.

(S02E22) It's not often that Criminal Minds disappoints me. So when it does happen, it's a little unsettling because the show is generally so good.

There's really no better way to put it other than I didn't like this episode one bit. It was bland, unimaginative, and to be perfectly honest... it felt like a total rip-off of the Saw films. A sadistic killer, ridding the world of people who aren't living their lives to the fullest potential. A "house-cleaner" as Morgan put it. Big deal.

(S02E21) "Only one thing you run that hard for. Your life." -Gideon

It's been a few weeks since we had a new episode of Criminal Minds, but when I first saw the preview for this installment I have to admit - the plot sounded a lot like something out of a cheesy b-movie. People... hunting people [insert sinister laughter].

However, this being one of the better hours on TV right now (and using this episode as proof), I'm fairly convinced that the writers and producers behind Criminal Minds can make even the most ridiculous ideas into something compelling.

(S02E20) When this episode started off, I have to be honest - I was bored to death. It was slow, the case didn't feel like something the team would normally take on, and I honestly didn't care too much for the mommy/daughter issues between Prentiss and her mother (played by Kate Jackson). Those sentiments remained for the majority of the episode. But in true Criminal Minds fashion, things changed and the final minutes of the show were just as good as any previous episode. Kudos to the writers for turning around a rather lackluster episode in its ending moments.

(S02E19) Well that was just about the most disturbing episode of Criminal Minds yet. I can't remember a past installment being as graphic as this one. It was an excellent episode, but I'm surprised some of the scenes (especially the opening one) made it through the cut.

It was hard to stomach at some points. That opening scene was downright creepy as the arsonist watched the family burn. While not as graphic, the scene where he tossed kerosene all over that SUV with the family inside was equally hard to watch. This show definitely knows how to push the limits though because as I said, this was a great episode with a well done ending.

(S02E18) You have to give this show credit because it frequently blends so many disparate topics together and it always does it well. Here we had a look at post-Katrina New Orleans coupled with the emergence of a Jack the Ripper copy-cat killer -- two things you probably wouldn't expect to see together.

It was really was one of the more interesting cases that the BAU team has been assigned. I think the only thing that bugged me a little was the way the preview sold the episode as having this massive twist. It wasn't so massive and I figured it out even before I realized it was the twist. That's never good.

(S02E17) This was a bit of a different case for Gideon and the team. For once they weren't really hunting a true criminal, but rather a poor guy who had gone off the deep end largely due to circumstances that were completely out of his control.

It's kind of interesting if you think about it. There's a huge range of cases that this team probably gets called in for and we'll never know about it simply because it might not make for dramatic TV. However, someone suffering from severe post-traumatic stress disorder definitely fits the bill and it earned the BAU team a trip to Houston.

(S02E16) Not bad, pretty much what I've come to expect from this show even when the episodes are just so-so. To me, this was one of those episodes.

Before I talk about the case, first we have to chat about Reid. I'm already disappointed with the way this story is being handled. It's being played out precisely the same way that Elle went downhill at the beginning of the season just as I predicted it would. Reid is having flashbacks to his kidnapping and torture, he's contemplating using the drugs, and he's becoming snippy and distant with his co-workers. There are a million other ways to handle this, so why go the same route as Elle? I don't think he'll be leaving the show as she did, but it's still disappointing to see the same thing over again with a different character. Here's to hoping I'm wrong and that something fresh is in store for us.

(S02E15) No sense in getting into the circumstances about Reid's abduction. I'm assuming that if you've come back to read this, then you saw the spectacular first part that aired after the Super Bowl.

More than anything else, this episode was all about Reid. It's the first time we really got some explanations about his past, his childhood, and what it was like to grow up in his house. It has me a little worried though. Why's that? Because it reminded me a lot of this season's premiere episode. And we all know what that led to - the downfall of Elle.

(S02E14) I remember reading an article about a month ago (I forget where) about how CBS had chosen Criminal Minds as the follow-up to last night's Super Bowl. The reason I mention it, is that in the article Edward Allen Bernero (the show's EP) said something along the lines of how they weren't planning on making this episode any different from a normal installment.

Well, I have to disagree. This was episode was spectacular and easily exceeded any expectations I had going in. If this didn't "wow" you, then you haven't been watching Criminal Minds enough. Not only was the case one of the most gruesome things the BAU team has ever tackled, but it's only the third time the series has left us with a "To Be Continued" cliffhanger. All that sounds like a bit more than the average episode to me.

(S02E13) Once again, due to an outrageous amount of business trips, I'm playing catch up with my TV viewing. I finally got around to seeing last week's episode of Criminal Minds and I had forgotten how much I missed this show. I had been looking forward to this episode too, especially since it had been bumped from the previous week because of President Bush's address to the nation.

It was a decent episode and for the most part, it's the type of story that I've come to expect from Criminal Minds. That's a good thing though, because with the types of cases this show tackles, you never know what to expect. Who knows what's in store for the post Super Bowl episode.

Maybe it's because they work on such a dark show. Maybe it's because many of the actors on the show have at least some comedy in their backgrounds. But the folks from Criminal Minds really like to yuk it up. At least that's what I got from the "informal" (again, that means "jammed in a far-too-small conference room") session for the procedural. The panel consisted of executive producers Edward Allen Bernero and Mark Gordon, and stars Thomas Gibson, Paget Brewster and Shemar Moore.

Gibson started off the comedy by lifting a jar of candy from the table and offering them to the gathered crowd. "They're wah-fer thin," referring to a classic bit from Monty Python's The Meaning of Life.

(S02E12) This show is really hitting its stride. What a great episode. Despite some negativity in response to CBS choosing Criminal Minds as the show airing after this year's Super Bowl, I'm excited about it. Criminal Minds isn't just another crime procedural. It's incredibly unique and, in my opinion, blows the Law and Orders and CSIs of the world out of the water. This show is legit folks and last night's episode was proof of that. You've got to feel good about this show though. It went from being a hardly watched freshman drama last year to a sophomore powerhouse that has been challenging the almighty Lost in Wednesday night ratings.

Here we had something that this show has lacked in recent episodes and hopefully what we got here becomes a trend. What am I talking about? Backstory. Up until now we hadn't gotten too much. We knew about Gideon's blunder that got some team members killed before he joined the BAU and we've gotten some info on Hotch's home-life, his wife, and his child. We even got info on Elle (via her unconscious flashbacks) in the season premiere this year. She's not even on the show anymore and the backstory has run a little dry since then.

(S02E11) I don't want to call this the best Criminal Minds episode ever. There's only been 33 episodes thus far, so who knows what's in store. I'd like to say it was the best. But how about this instead:

This was far and away my personal favorite Criminal Minds episode yet. I can't say a bad thing about it.

It prominently featured Reid, had a great and well thought out case, and it marked the reunion of Anton Yelchin and Paget Brewster. Yelchin... man, this kid can act. Checking out his IMDb page, and I'm ticked that I missed an episode of Law and Order: Criminal Intent that he guested in a few months ago. If he turned in half the performance he had here then it would have certainly been worth watching.

(S02E10) Great episode. It felt a little bit generic (most crime dramas have already had the "terrorist" episode by now), but Criminal Minds still managed to put it's own twist on the story.

This was the first episode where we got to see what Agent Prentiss is all about. She's good. Very good. She seems to have an almost Dr. Reid level of knowledge. Not to mention literacy and fluency in most forms of Arabic. I love Paget Brewster, but it still feels like she's acting in the role of Beth Huffstodt, you know? I'm sure she'll adjust her acting style for this part. But right now I'm agreeing with what a few commenters said about her last week. She needs to tone it down a little. She's still a bit too enthused.