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February 10, 2012
 
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Lindelof and Cuse display Lost ending at Comic-Con... at least on paper

by Neil Gladstone, posted Jul 26th 2009 5:01PM
Lindelof and CuseSince the creators of Lost, Damon Lindelof and Carlton Cuse, are always being accused of making the show up as they go along, they decided it was time to prove they had the last page of the show written.

So at this year's Lost Comic-Con panel, which will be the show's last, Damon and Carlton pulled out the final scene to get that chip off of their shoulders: Two pieces of paper they taunted the audience to steal. Although it won't be easy for anyone to get their hands on those pages.

You'll have to watch the panel video to see why, after the jump.

(Post originally published by sister site ComicsAlliance)

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Eureka panel at Sci Fi's digital press tour, part two - VIDEO

by Keith McDuffee, posted Jun 28th 2007 2:02PM

Aaaand we're back with part two of the Eureka panel discussion at the Sci Fi Digital Press tour in Vancouver. I've got to say that I'm very glad we got the DVDs of these panels, not only so I can share them with you but because I can check them out again myself. In some respects you can kind of take these things for granted, then I step back and realize that these guys came out and took time to sit down and talk to us, the fans. You can still check out the first part of this video.

Enjoy the rest of the panel video below!

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Rock brings the funny with the Everybody Hates Chris cast - TCA Report

by Joel Keller, posted Jan 19th 2007 8:31PM
Everybody Hates Chris
I have to tell you, the CW had some pretty lively sessions today at the press tour. The session for the Pussycat Dolls series devolved into a women's lib argument as I walked into it, and both Supernatural and Hidden Palms had their moments. Most were helped along by the comic stylings of Paul McGuire, the network's head of communications, who would come to the podium usually toting a funny line or two. "Even Jean-Paul Satre was a freak in his day," he quipped after the spirited debate over use of the word in the Pussycat Dolls' hit "Don't Cha."

But not even a funny executive could hold a candle to Chris Rock.

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In Case of Emergency's painful session - TCA Report

by Joel Keller, posted Jan 14th 2007 9:05PM
If there's any part of the press tour that's hard it's a situation like this: imagine being in a room with the cast of a show no one really likes much, extolling its virtues to disbelieving ears. To fill the boredom, the uncomfortable stars and creators start cracking jokes that no one thinks are funny. On top of that, there aren't enough questions to fill the time, so reporters start getting creative in order to keep the discomfort level at a minimum.

That's what I got when I sat in on the panel for the new ABC sitcom In Case of Emergency.

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Lost creators say that they see an endpoint - TCA Report

by Joel Keller, posted Jan 14th 2007 4:46PM
LostThe biggest news to come out of the pre-lunch session with the creators and most of the cast of Lost? Uh, nothing much, just that the producers see an endpoint to the show and are have been talking about such an endpoint to the network for some time now.

Interesting, huh? Executive producer Carlton Cuse let the news slip, when asked about whether they've planned on a closed end to the show, that they are in discussions with ABC to pick an endpoint for the show. No real timetable was confirmed -- speculation ranged from two more to four more seasons -- but the producers want to make sure the show doesn't overstay its welcome. "We don't want to be to the point where we're doing the stalling show," explained co-creator Damon Lindelof. He then joked by giving such an example: "We're building sand castles this week!" He cited The X-Files as a show that was great but went on "two seasons too long," and that once they've determined when the endpoint will be, they will announce it right away.

At lunch, reporters surrounded ABC Entertainment president Steve McPherson (more on that later to day) about this little tidbit. He didn't know that the producers had mentioned this, but didn't seem to be surprised, as he told the group that they had been talking with the show's producers about an endpoint almost from the beginning of the series. I'm sure we'll hear more of this later.

More tidbits and some funny lines after the jump.

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NYTVF: Dan Rather looks me straight in the eye

by Joel Keller, posted Sep 15th 2006 2:33PM
Dan RatherWhen you're sitting less than ten feet away from a television legend, you pay attention, even if you're hot and sweaty and somewhat aware that the deodorant you put on in the morning is no longer doing its job. That's the situation I was in as I hustled uptown from the One-Minute Pitch finals just in time for the panel discussion on the news media's role in a war zone. Twenty minutes and one very muggy F train station later, I found myself in the front row, with a panel of distinguished newsmen in front of me. But everyone knew the attraction was Rather.

More on the panel -- and more pictures -- after the jump.

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A fast Q&A with Mitchell Hurwitz of Arrested Development

by Joel Keller, posted Sep 14th 2006 1:05PM
Mitchell HurwitzAfter he participated in a hilarious NYTVF panel discussion with fellow showrunners Mike Scully and Phil Rosenthal, Mitchell Hurwitz, who was the executive producer of Arrested Development, was nice enough to give me a couple of minutes after he came off stage. Of course, the conversation had to do with his decision to end AD, even though Showtime was going to pick up the show for a fourth season. His responses were interesting.

JK: I interviewed Will Arnett about a month ago, and he told me a lot of the same stuff you mentioned during the panel, that Arrested kept getting renewed because it kept getting awards and it would make FOX look bad to ax it.

Hurwitz: You know, I shouldn't be talking about this, because it really sounds like sour grapes. But it was a privilege. It was a privileged experience, and I know it was a privileged experience. But nonetheless, it's such a high-stakes thing, that when you're cancelled very late, and all that work, that it feels like it didn't turn into a profit, you know. But the more I get away from it, the more I realize that, no, they... they put it on the air.

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