(S02E03) "I didn't lie ... he made risotto." Lisbon, to Jane, about a certain cooking show with "the angry man" she watched on Tuesday

Hypnotism is a lame shortcut in TV shows and movies. Hypnotists seem to do it so easily, and the subjects seem to be put under so quickly and then remember just enough to solve the puzzle or at least advance the plot to another point.

That's why tonight's hypnotism of Lisbon by Jane was so satisfying. I groaned when it started, but I like the fact that he hypnotized her without her knowing it, how she made a comment about Rigsby and Van Pelt while under, and how the hypnotism didn't really work in the end.

(S02E02) Tonight's episode of The Mentalist was an incisive look at how the ... HEY THAT WAS STARSKY!

Yes, Paul Michael Glaser made an appearance in this episode, and it's good to see him in something else besides those fix-your-credit commercials.

This season seems to be about the personal lives of Jane and Lisbon a lot more than the first season was, how the search for Red John is affecting both of them (Jane is on the outside of the investigation; Jane is seeing a psychiatrist because of what happened in the season finale). Last season I didn't want every other episode to be about Red John, and I still don't, but I'm more intrigued by the Red John investigation than the murder-of-the-week. Where last season the tension in the CBI regarding cases and who was in charge was scattered here and there; that tension seems to be a theme this second season.

(S02E01) "If you sit by the river bank long enough you'll see the bodies of your enemies float by." - Patrick Jane

Where will the second season of The Mentalist go? Will we focus on Red John the whole time or will we get cases of the week until we have a Red John episode? It looks like it's going to be more of the latter (though there's a big plot development concerning the Red John case in this season opener), and that's just fine.

I do wish the cases were more Columbo or Murder, She Wrote-ish, though.

Patrick Jane came very close to catching Red John on The Mentalist last season, but it wasn't to be (not yet anyway). In this clip from the season opener this Thursday at 10 (new night and time), Jane and Lisbon are taken off the case because they are too close to it and we're introduced to the new guy in charge of it.

(Side note: it's funny that this clip is sponsored by - at least when I watched it - Red Robin! Is that a coincidence or on purpose?)

CBS has posted a season one recap of The Mentalist, and if you don't watch the show you'd think that every single episode was a hunt for Red John. They're not, of course. This recap doesn't give you a feel for what Jane and company do on the show but it does give you the background on that case and Jane.

I just saw a promo for the new season and the gang is getting a new boss this season. It starts September 24.

The fine art of interrogation may seem lost thanks to suspects lawyering up and the Miranda warning. Whatever happened to the days when a snarling cop could throw a perp against a brick wall to get him to squeal? Or a sly questioner could finagle a confession by laying on a guilt trip? Still, there are some very clever, brilliant interrogators plying their trade on these days. In fact, when you look at these eight interrogators, you'll probably agree that they know just how to get to the truth. Here are the eight top interrogators on TV today:

8. Captain James Brass, CSI
Brass is the most "old school" of all these interrogators. He's like Andy Sipowicz from NYPD Blue, only without the violence. Brass talks to suspects with a modicum of respect, but a healthy cynicism. He's seen it all and knows the truth is in there somewhere. He asks questions and waits for them to trip themselves up. When they do, he has them write it down. Despite the laconic attitude, Brass has the brass to get the job done.

I was happy with the way The Mentalist ended its first season. It didn't go overboard with a season finale cliffhanger scenario with someone in a coma, an explostion, or someone vanishing, it just had a case end and the characters learn something from it. Sure, the episode focused on Jane's nemesis Red John, so there was more urgency and importance to the plot. But he was never caught (though we did learn some facts about him, which will lead nicely into next season). What did everyone else think?

(S01E18) This was a fun episode of The Mentalist, reminiscent of parts of the psychic episode, "Seeing Red," in that we got to see Jane in a comfort zone of his, something that he knows well. The difference is that Jane believes in hypnosis.

And we got to see Jane do his thing tonight ... his hypnosis thing anyway. He was clever enough to put the tracer in Rigsby's pocket, but my favorite episodes of The Mentalist are when Jane knows whodunnit ahead of time and sets them up. When Jane is a step -- or two -- ahead of everyone else, he shines.

(S01E17) "This is a goat turd about six months old." -- Cho, about Jane's "fossilized worm"

Ah, a few things I love about The Mentalist showed up in tonight's episode: a quote from Cho, a setup from Jane, and Lisbon and Jane banter. Top that off with a couple of my favorite guest stars and you've got yourself a fun episode of The Mentalist.

Oh, and we can't forget Jane doing his Jane things: trying to get Rigsby and Van Pelt together in a car for three hours, monologuing about the beauty of the desert, teasing Lisbon and Faulk (the "Boom!" line) and smiling throughout everything.

(S01E16) "My other senses are heightened. They're super-heightened. I'm like Daredevil." -- Jane on his blindness

Now, this was an interesting episode of The Mentalist. We veered from the formula a bit, and I liked it. We got to find out a lot more about Jane's past, albeit Red John-free. Sadly, this episode was fairly Cho-free, as well, but we did get a lot of Rigsby / Van Pelt payoff.

Mostly what this episode was about, though, was Jane's questionable past: the lies he told to people, the money he unabashedly took, and the lives he ruined with his greed and his false representation of his psychic abilities. Jane is clearly carrying around a lot more guilt than just his family being killed, although that was obviously the defining moment for Jane.

Here we are in the middle of the March sweeps period (March this year instead of February, because we were supposed to switch to digital TV on February 17 and Nielsen was worried that would screw up the numbers) and The Mentalist is a repeat tonight. Not only that, but it's the third week in a row where the show has been a repeat.

Hmmm...I wonder why CBS has made this decision?

(S01E14) "There's no business like Cho business." -- Patrick Jane

I'm not quite sure how The Mentalist does it. At the beginning of every episode, I want to think that it's just a typical procedural and that nothing really sets it apart. Usually, it is Simon Baker who wins me over and makes me think differently. However, tonight it was all Cho.

We started off with Cho questioning Walcott about his wife Claire's murder. When the weasel threatens Cho's job if he doesn't give the name of Claire's lover, saying that he can have Cho's job with one phone call, Cho deadpans, "That's impressive. The best I can get with one phone call is a pizza."

The new fall pilots don't excite me very much, what with all of the cops, doctors and lawyers. But I know networks, and original ideas aren't exactly the "in" thing.

So, why can't we design some spin-offs? You know, the networks might go for some ideas based on hit shows, and we can make them a little bit unique, right? Let's add in some elements that excite us to some familiar characters and see if we can't create some new spin-off pilots better than the actual ones.

(S01E13) The opening of this episode was the Jane that I love -- random, bizarre, smart and observant, with no regard for convention. Did you catch the way he hammered away at Frank, the guy who found the dead body (Harry Lashley) with the woman he was having sex with?

Jane continued to be fun and outrageous throughout "Paint it Red," which made it one of the more entertaining episodes in a while for me. The case was relatively interesting, but Jane was so upbeat, divergent and ahead of the team -- love that! -- and the interactions amongst the team were top notch.

Finally, an episode of The Mentalist with a significant amount of story arc. We really got to see Jane's lust for revenge in this one, and the lengths he would go just to get a bit closer to finding out who Red John is.

The Mentalist jumped out of its formula slightly this week, and it worked for me. We learned some new things about Jane, Red John and the team, and even though it could have been an extremely dark episode, it was just dark enough to get the point across while still being entertaining.