According to the Hollywood Reporter, this move comes as part of Bravo's planned programming strategy. "We want to start the week earlier," Frances Berwick, president of Bravo, told the Hollywood Reporter. "This means each night is a promotional platform for the next night and it becomes like a domino effect that strengthens our schedule."
Following 'Real Housewives of Atlanta' at 11PM will be a new edition of the late night talk show, 'Watch What Happens Live,' hosted by Andy Cohen.
Both shows are ensemble dramas, but 'Lost' is very subtle in its science fiction and/or fantasy elements, usually downplaying them in favor of the characters. 'V' has spaceships and lizard-people and the sci-fi is pretty tough to ignore. Even on TV Squad, 'Lost' is categorized as a drama while 'V' is science fiction or fantasy. While the science fiction genre has sometimes gotten a loyal viewership by the mainstream (if such a concept exists), it's usually because they don't realize they're watching science fiction.
So what do you think? Will fans of 'Lost' likely continue on to 'V', or is ABC making a mistake? Sound off in the comments.
However, the advent of the NBC Football Night in America has put a dent in CBS's strength. Also the ABC lineup and Fox's animation domination are no slouches either. So, CBS is going to do something to bolster Sundays. Three Rivers and Cold Case will switch time slots.
Well, I'm not alone in missing Saturday TV; Oscar-winner Barry Levinson feels the same. Levinson is also a TV producer -- he did Homicide: Life on the Street and The Philanthropist -- and he thinks the networks are making a big mistake by not seizing on Saturday primetime. He knows the business pretty well and he's confused by the networks' strategy.
"I don't think the answer is to retreat," he told the New York Daily News. "When you give up Saturday night, you open the door for people to go somewhere else. Basically, they're shrinking their own audience."
When NBC did its upfront -- it wasn't really like the other networks, because they had leaked so much information -- one of the things the powers that be decided to do was split the season into two sections. Or two official seasons. It all seemed a bit strange, and now that NBC has gotten off to such a dreadful start, things are changing. One change seems to be that Chuck may be back before March.
As we mentioned last week, even a petition set up by star Christina Applegate couldn't save Samantha Who? from the axe. It's a shame. Applegate has turned into such a magnetic and charming comedic actor. Here's hoping she gets another shot at her own show or, like Jason already suggested, a long-running guest stint on HIMYM or maybe The Big Bang Theory.
ABC is also making room on its summer schedule for the final eps of Cupid and In the Motherhood. The sole remaining ep of Cupid, which shared the same fate as the 1998 show it was based on, will air June 16 -- if the NBA Finals don't make it to Game 6! (That's another slap in the face from the network to Cupid creator Rob Thomas). In the Motherhood's final three eps will begin airing June 25 at 8:30 p.m.
Recently, Cartoon Network has announced a block of programming they're calling "CN Real." I'm already upset that a show like Tim & Eric Awesome Show Great Job isn't animated (don't get me started on Delocated), but isn't getting rid of the cartoons turning the channel into just "Network"?
Why should Flashpoint get a break while an interesting, quirky and outside-the-box drama like Swingtown may not? It's disheartening to me that CBS is searching for a cable network to take Swingtown, while a "safe" crime show like Flashpoint doesn't have that concern.
I'm generally not a numbers person. (I freely admit that I sucked at algebra.) However, the Burn Notice success in Nielsen ratings and key demographics -- 1.8 rating/6 share among adults 18-49 and approximately 5.4 million viewers overall -- is impressive. It built on last season's numbers considerably -- 35% in viewership.
Judd Apatow, who will forever be a hero to many TV viewers who loved the too short-lived NBC series Freaks and Geeks, is saying goodbye to television. But not before one final shot with the soon-to-be-released feature film The TV Set.
The movie stars David Duchovny as a series creator who butts heads with various studio executives (including Sigourney Weaver) who just don't get what he's trying to do with his TV show. And, yes, it's a version of what Apatow and The TV Set director Jake Kasdan went through when they worked on Freaks and Geeks.
Idolator published his farewell note to his co-workers, which included this classy send-off, "I have learned a great many things during my tenure here...There is one lesson, however, that I consider far more valuable than all the others combined: our audience deserves integrity and respect. Growing up in America is a difficult, sometimes traumatic, often alienating, very strange proposition. In between trying to figure out who they are and what matters in life, there is a chorus of parents, teachers, people and pitchmen telling them what to think and what to do...please keep fighting for them and thinking of them in the fine work that you all do."
The study found that 37 percent of boomers are unhappy with what's on TV, and 80 percent of all people over 40 say that they have trouble finding shows that they can find relatable to their own lives.
The only other show I can think of that spirals so badly out of control for the lead character is Fawlty Towers, where Basil Fawlty, a victim of his own pomposity and bizarre circumstances ends up neck-deep in catastrophe upon disaster, finalising with a conclusion that often resembles the aftermath of a small war.
And this week, it was no different for Andy, in yet another classic episode of this genius comedy from Ricky Gervais.
Sure, it had everything you would come to expect from a quality BBC prime time drama; high production values, great locations, fine acting, a decent script and Dominic Minghela (brother of Anthony) at the helm.
However, I just couldn't help but feel that I had seen it all about 40 times before. And I had.
Following on from last week's Down Syndrome debacle, Andy kicked-off tonight's show with a charity video appeal, only to subsequently find his entire BBC sitcom hijacked by a shamelessly self-promoting Chris Martin.
However, the Coldplay front-man's repeated attempts to hawk a forthcoming greatest hits album was really only the start of Andy's problems, as he ended up nominated for a BAFTA award and finally caught a glimpse of some of light at the end of the tunnel.
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