"Pull the trigger man. That's the only way this leather is coming off my back." - Jax to Alvarez, the head of the Mayans who orders him to give up his club jacket

Jax is supposed to be the hero of this little modern day Shakesperian epic, but he's starting to look more and more like the enemy in each episode.

I don't mean that he'll be the one in the end who has been scheming the whole time behind SAMCRO's back with the white power. This is a well-crafted, slow paced, high caliber drama, not a badly written Schwarzenegger movie with a thrown together twist ending (cough, Total Recall, cough).

Jax is more of an enemy of himself. He might have good intentions at heart, but his moves are nowhere near his brain. Maybe his loyalty to his family runs deeper than he ever imagined. Logic and family hardly make a decent cocktail. Anyone with a brother-in-law can tell you that.

(S02E03) - "I'm talking about creating a temporary problem that allows you to flush out the permanent one." - Ethan Zobelle

The thing that surprised me most about this week's episode are the number of times it made me laugh. That's hard to do for a show that cracks more skulls per episode than a plastic surgeon.

It doesn't do so by sacrificing the things that make it great. It's still just as hard-edged, emotional and violent as before. You're just chuckling for all the right reasons, this time.

(S02E02) - "Unraveling the matriarch will destabilize them. They're all little boys who need a strong mommy."

The thing I'm starting to love about this show is the way it switches gears on just about any incline. They are so swift and sudden that the law should go totally "nanny state" and require me to wear a helmet during each week's episode.

For example: in this week's chapter, we see the aftermath of Gemma's rape and the toll it takes on her as she tries to keep it from the club. Then the very next shot is of Tig, played by Kim Coates and some random fishnet whore slowly waking up with hangovers that could stun an elephant, together in a spent 69.

And I ain't talking about a broken down '69 Chevy.

(S02E01) - "I'm not going to swap one outlaw for another one."

How do you turn a group of gruff biker outlaws who deal potent drugs to street trash and hardcore hardware to ruthless killers into a likable group of huggable stud muffins?

That's easy. You make a group of radical white supremacists into their enemies. It's the old "lovable by association" tactic of TV writing. Is the audience not buying your childhood version of Darth Vader? Then throw in a wise-cracking alien that sounds like Pee Wee Herman with Down's Syndrome.

However, in the case of the second season of Sons of Anarchy, it's a pretty sweet power play for a show that already packed more punch than an Absinthe smoothie.

Did you ever get news that both enthralled and worried you all at the same time? Like remember when you were a kid and you heard you were going to Disney World but first you would have to drop off your sick puppy at the vet for a little nap?

That's the feeling my gut got when series creator Shawn Ryan said Fox might make a Shield movie if demand called for it.

The question actually sparked an interesting and light-hearted war of friendly curses between the cast and Sons of Anarchy star Ron Perlman who was also on the dais to grub for Emmy nods. Walter Walton Goggins, the actor who brilliantly played the daft and overly cocky Shane Vendrell, uttered "That is bull#*$&!" since his character killed his family and then shot himself in the final episode just as the Barn closed in on him. That's not a direct quote, by the way. He may have used different punctuation marks.