Now she's taking on a new role; she'll be guest programmer at Turner Classic Movies in July, and having gotten a look at her choices, I have to say to Sally, "I like you, I really like you" -- at least your taste in movies.
Sally will be joined by TCM host Robert Osborne introducing and discussing her four films. The Field four are Love With a Proper Stranger, The Awful Truth, All About Eve and The Miracle of Morgan's Creek, and every one of them features great performances by women.
To those of you who aren't movie buffs, here's a bit more information about these films -- why I like them, and I mean, I really like them.
(S02E16) Rebecca: "I don't know what to do next."
Justin: "Me neither."
I cried twice during this episode. Maybe more. I cried when Nora told Kevin he deserved to have a beautiful wedding just as much as anybody else. And I also cried at two more points, but I'll talk about them below the jump. This was a beautiful episode of television. Even though I don't know that I have written about the music used in episodes, I thought the use of "Can't Find My Way Home" for the last two scenes was profoundly moving. Last year, I thought the season finale was a disaster because it ended with grand hijinks and everybody jumping into a pool. This year's season ended quietly on a beautiful sunny hillside, and it just about broke my heart. I am going to go out on a limb here and hope that this show wins an Emmy, because when they do it well, they really nail it.
So, what are we to think of Holly? Is she a pathological liar and a scheming manipulator? A greedy opportunist? Or is she genuinely trying to do the right thing as she sees it, affair with William Walker not withstanding? Honestly, I can't make up my mind, but I am leaning toward seeing her as a flawed person who is doing her best. Lord knows, she could have taken her inheritance from William Walker and kissed the entire clan goodbye. Perhaps some see her as unable to let go, unable to stop until she has revenge on the Walkers for having William in ways she couldn't. But that seems a rather extreme pathology. It's much more interesting to view her as a complicated human being, which has certainly been supported on the show.
I am starting to feel like Siskel and Ebert every week. Oh, that was a great episode! Oh, that episode sucked! It doesn't seem like there is any in between with me. Does that mean I'm too picky?
You know, it's funny because sometimes I don't even know how I feel about an episode, really, until I start writing about it, so my actual experience with watching it isn't necessarily negative, even if I write up a critical review. But tonight, I am pretty sure I know how I feel about it: That was a great episode.
Lots of things going on this week: Things are definitely heating up and charging down the runway toward May Sweeps and the end of the season, but they are things that have been set up for so long and so well that their very inevitability feels natural, unhurried, unforced, like a cart careening down a hill, picking up momentum, and heading into rush-hour traffic. And I'm not going to talk about it before the jump, so let's get going, shall we?
I know it must be hard looking after all those brothers and sisters, sons and daughters, friends and lovers. And while I truly do appreciate how you welcomed your dead husband's lover and their child into the Walker fold, I really think it's time you grew up and started making some decisions for yourself.
Ok, so maybe moving to Washington, D.C. with Isaac wasn't the right decision, but it seemed like the one thing that kept you in California were those four words uttered forlornly by Kitty: "I need you, Mom."
Kitty's a grown woman with a career and a husband. She can take care of herself, as can the rest of the Walker clan. OK, so I'm a little undecided as to whether I'd want my entire family there to watch me puke and get the shakes, as was the case when Justin was de-toxing. Then again, drug addiction isn't pretty any way you look at it, so ... go Walkers.
Sometimes what I actually want to review is the scenes for next week's show, because it seems more interesting than the one I just watched. However, I know that many of you deliberately do not watch those clips, so we shall say no more on the subject. I am glad the Walkers are back, and I like how they have handled the time off due to the strike: they simply said, "Three months later," and picked up with events then.
Before that jump, though, we learned some important things: That Graham and Sarah are still dating, that Tommy and Julia are still happily together, and that Senator Robert McCallister loses the Republican Party's nomination for the Presidency, so Robert returns to the Senate.
"Yes." Sarah Walker to Kevin Walker
This was an immensely likable episode. If you have read my reviews from Season One in particular, you know that I tend to distinguish the episodes I like from the episodes I *really* like based on who wrote them. This episode was co-written by Cliff Olin, son of Patricia Wettig (Holly) and Ken Olin (David Caplan). Cliff has been writing for the show since its inception, and he is a young writer, barely in his mid-twenties. I have noticed an unevenness in his writings in past episodes, but I think he is finally starting to hit his stride.
(S02E11) "You're the translator?" Sarah Walker to Graham Finch
This episode was, at its heart, about trust: How do you figure out whether or not you can trust people? And once you have broken someone's trust, how do you (and should you) get it back? Lena has been at the heart of broken trust issues for awhile now, and she has sort of become the symbol of betrayal on the show. But Rebecca, Justin, and Sarah have all had their issues with trust as well--and everyone (except Sarah, really) has certainly been guilty of giving (betrayal) just as good as they get.
(S02E10) "You slept with someone else too?" Nora Walker to Julia Walker
Oh, Brothers and Sisters, how I've missed your hijinx! I was under the impression from some of the news I'd read about the WGA strike that filming had ceased on the show, so I was very happy to have a new episode (albeit, feeling a little guilty, because I support the writers...). Mostly, I was happy to see everyone again.
EW.com put up the The Screen Actors Guild Awards nominations and we've got the nominees in the television categories for you. Not surprisingly, The Sopranos swan song continues to get awards show nods, with bids in all three categories it qualifies for. 30 Rock accomplished the same feat in the comedy categories. No other show was represented in all three drama or comedy categories.
Newcomers include Jon Hamm (Mad Men) and Michael C. Hall (Dexter) in male dramatic actor. Holly Hunter (Saving Grace) was a new face in female dramatic actor, while Christina Applegate (Samantha Who?) and Vanessa Williams (Ugly Betty) represented comedic actresses. Only Mad Men was able to creep in as a new show in the ensemble drama category. The complete list is after the jump.
(S02E09) "We could wake up tomorrow, and it could all go to hell."-- Robert McAllister
I have to admit: I would have owed Tommy $100. But not for the same reasons as Kevin and Justin. I will get to that in a bit though. Was it just me, or did this episode have some editing glitches? One minute Kitty is telling Robert that it's bad luck to sleep with the groom on the night before the wedding and Justin and Lena seem to be talking about the wedding being that day, and then Kitty is in the Walker kitchen working on her vows and the wedding is still a day away. Anyway, it wasn't a big deal-- it just seemed a little incongruous for a bit.
(S02E08) "Well, I'm a democrat, and I lost my virginity to "She's Got Legs."-- Sarah Walker
Did everybody lose their virginity to a song? I don't remember whether I did or not, but if you want to share yours, feel free. I loved it when Robert walked in and Nora asked him what song was playing when he lost his. And then when she revealed that her first time wasn't with their father. And that is all very well and good, but I personally have never found Chevy Chase (Stan Harris) to be particularly attractive. However, I am willing to put that aside and say that I thought he did a wonderfully understated turn as
(S02E07) "Well, who'd chain you the radiator and poke you with a stick?" Sarah, knitting.
Meh. This episode was fine. It wasn't special. It was just kind of... filler. And I don't mean to cast aspersions on the show at all: That is what shows do leading up to November sweeps. They can't have anything really important happen right now. I hesitate to say anything negative about the writing these days because I fully support the WGA strike. But this episode felt forced. They totally set it up a few weeks ago when Justin started taking pain killers again, and they gave themselves a convenient family "crisis" to deal with now.
I am starting to regret every time I have criticized the show for being too prone to hijinks and slapstick, because after the past two episodes, I would love to have Robert's crazy family show up again so they can all jump into the pool. The best way to describe this episode is maudlin. No wonder Justin is taking more pain meds. This is some pretty depressing stuff, and it doesn't look like it's going to get happier anytime soon. Is this the writers' way of dealing with the impending strike? A little doom and gloom for everyone? And is Tommy growing a mustache, and could someone please call his agent and tell him to shave it?
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