stana katic

Look out Shanghai, the lovely Stana Katic may be turning master criminal and stealing your civic buildings if this acting gig doesn't work out.

(S02E11) Don't you just love it when a series uses a tired cliche, only to take it in a completely different (and fascinating) direction? That's what Castle did in this week's episode, and it turned out to be one of my favorites of the season so far.

As soon as J walked in with amnesia, I groaned. Amnesia? Really? When it turned out that he was also a shooting victim and that, in a Theodore Roosevelt-like twist, it was a book that had saved his life, it became more interesting to me. However, I still thought I knew exactly what was going on -- and it's a testament to this episode that I was so very wrong.

Happy Thanksgiving! It's that time of year when we reflect on all the good things in our lives, and of course, my thoughts turn to TV. Let's take a look at a few things on the tube that make me feel all warm and fuzzy.

Sexy vampires. Oh my, we got lots of them this year. The Twilight Saga: New Moon's got nothin' on TV vampires. Eric Northman and Bill Compton from True Blood are definitely at the top of my list. Pictured is that hunk o' steamy vamp himself, Eric, a.k.a. Alexander Skarsgard in real life. But we also got those lovely Salvatore brothers on The Vampire Diaries. Elena certainly has some high-class problems, doesn't she? Steadfast Stefan or bad-vamp Damon? They both have their particular gifts.

(S02E10) ""A wife and a fiance catfight ... please can we stop for popcorn on the way?" - Castle

Molly C. Quinn is such a cutie. I loved the storyline this week where she volunteers to categorize evidence, and in doing so, uses her skills to help return someone's precious "brag book" to them. She takes after her dad in the "big heart" department.

Castle is good about that. They could have made Richard Castle as a roguish playboy who chases women and loves a good time, and while he's got some of that in him (see above quote), he's also a dedicated family man. The writers are good about the characters that way. Beckett is a hard-nosed detective, but she's also good with people, excelling at giving them bad news in such a way as to soften the blow.

Here's a sneak peek at tonight's Castle, "One Man's Treasure." When a murdered man is found stuffed in the garbage chute of an apartment building, two women arrive to ID the body -- the guy's wife and his fiance. It's like the ultimate in awkward encounters, and of course, Castle has something to say about it. He looks at the dead guy and says, "You are so busted."

Of course, Castle and Beckett have the fun task of trying to figure out if this guy's been leading a double life or if he's being framed. With this show, you just never know. I'm guessing one of the women is behind it, but we'll see.

I'm loving Castle, because it fulfills my lifelong wish for a TV show that offers the snappy banter and sexual tension of an old-time movie. Well, Castle would call it sexual tension. Ok, Beckett is leaning that way, too. I don't know who I'd compare Nathan Fillion to, though. Maybe a little Cary Grant mixed in with Donald O'Connor.

(S02E08) "I've been bombarded with friend requests. It's like a full-time job." - Martha, on her new "MyFace" page

The interaction between Castle and Beckett, and between Castle and his family, continue to be more interesting to me than the cases themselves. I like the old-fashioned whodunnit-type storylines, but find myself looking forward to the non-case scenes. That said, Castle still contains a good mix of something for everyone, whether you like the cases or the relationships.

While watching tonight's episode, I also found myself thinking, if only Nathan Fillion would follow me around while I'm working. I probably wouldn't get much done, though.

(S02E07) I'm with Beckett here: I really enjoy watching Castle be a dad. I'm very far away from being the parent of a teenager myself, but I feel like people should be taking notes from him. Well, except for the part where she had to put parental controls on his computer. But otherwise, he strikes a nice balance between relating to her and not trying to be the "cool dad." I was impressed last week with how he didn't just let that drunk girl crash on their couch and made Alexis call her parents, despite her protests, and this week, when he made her go to school despite the fact that she was being helpful.

Since that happened at the beginning of the episode, and the entire thing was peppered with Alexis/Castle interactions, I was definitely predisposed to like this episode. It continued to be a strong episode to -- despite the fact that the subject matter made me really uncomfortable.

(S02E06) Ooh, several Joss Whedon references in the first few minutes, including "space cowboy" and Buffy's vampires. Throw in a reference to Frank Miller, and it's a geeky fantasy paradise. I also got a little of my vampire fix, even if they weren't the real thing. I don't know that Kona's that into vampires, so I'm glad this episode aired on my week to review Castle.

It was the usual whodunnit frolicry, with Castle and Beckett trying to piece together a murder mystery involving vampires, werewolves, and a murder that took place 18 years earlier. And the vampires and werewolves were as close to the real thing as a human can get -- with implanted fur, fang veneers, and a disease that made it impossible to go out in the daytime, lest the person catch on fire. There was even a cemetery and a stake through the heart.

(S02E05) I'm really glad this episode ended the way it did, because I was about to be pissed. Obviously Castle isn't going to stop writing the Nikki Heat books and leave Beckett, so I was expecting him to make some asinine excuse to his book agent about why he couldn't take over the James Bo-- er, a "British secret agent with lots of gadgets" series.

But in the end, the excuse of, "hey, my publishing house is going to just dump sacks with dollar signs printed on the front of them on my doorstep so I can make a Scrooge McDuck-like swimming pool out of gold, so screw that British agent and his gadgets," kind of works for me. However, all things being equal, if Castle had gotten the same offer and he had been following around, say, Esposito instead of Beckett, I feel like maybe the prestige of writing the British spy series may have won out over more gold doubloons for an already-rich Castle.

(S02E04) "A con man isn't just about the money; it's about the game." - Castle

This week's episode of Castle continued the theme of a puzzling whodunit that takes viewers on a little journey to solve the crime. I was kept guessing the whole time, which is one reason I love Castle. The other, of course, is the lovely rat-a-tat banter between Castle and Beckett. Like a classic movie starring Cary Grant and Katharine Hepburn.

And it's clear that Beckett is trying hard to hide her intrigue over Castle and his work -- making a date with herself to soak in a sudsy tub, drink wine and read his novel based on her. And then the end scene where he catches her in the bathroom looking for the steamy sex scene in the book. Oh my.

(S02E03) I don't watch Castle because I really need another New York-based police procedural in my life. I watch it because it's funny, quirky, and because Nathan Fillion is dreamy. So while I would be hard-pressed to ever find a bad episode of Castle, this one wasn't my favorite. It just wasn't fun enough.

I'm not really enthralled with models, so the whole "behind the scenes at Fashion Week" thing really doesn't appeal to me very much. However, I do like how the theme of youth and beauty plays itself out throughout the show; first with the obsession over these qualities inherent in the modeling world, then with Castle's realization that he is at the age in which the beautiful young woman he meets isn't someone he met at a party, but rather the gawky girl who babysat his daughter and watched High School Musical with her. All the while, Castle's mother is dealing with the fact that she is no longer getting the ingenue parts, but is instead being offered that of the the crazy granny who dies offstage.

(S02E02) "What is it about full moons that brings out the crazies?" - Castle to Beckett

That line above exemplifies what I love about Castle. Richard Castle is enjoying the bizarre perps and collars traipsing through the police department; he's eating snacks and having fun, while Kate just rolls her eyes at both him and the people. They're such total opposites -- Beckett so cool and controlled and Castle like a giddy kid -- and I hope they don't mess it up by having them hook up. I was just reading a story in one of the entertainment mags, where Stana Katic says that, too. She doesn't want them to get together because it's so cliche.

This week in Jane After Dark, I caught up with season one of Castle. I'm a sucker for fun whodunits, especially when they feature great male and female characters who've perfected the art of the snappy banter. Specifically, here are five reasons why I'm loving Castle:

1. Nathan Fillion is boyishly charming. I've been a big fan of this Joss Whedon favorite since seeing him in 2005's feature film Serenity. I finally completed that awesome circle by watching Firefly last winter. Fillion has the ability to be goofy one minute and deadly serious the next. In Castle, he plays Richard Castle, a best-selling mystery author who's raising a 15-year-old daughter Alexis (Molly C. Quinn) -- and, in many ways, his free-spirited live-in mother Martha (Susan Sullivan), as well. Having killed off his latest fictional character, Richard found inspiration in NYPD detective Kate Beckett, after being called in to advise on a case. Now they're working as pseudo-partners.

(S02E01) Look, I'm just going to say it up front and get it out of the way: Nathan Fillion is the most charming man on television. All I could think of when I was watching the season premiere was, "wow." Also, how could Beckett resist him? Sure, he went against her express wishes and reopened her mother's case, which brings with it the distinct possibility of opening a Pandora's box of despair and obsession that could ruin her life and career -- but has she seen him smile? Come on.

Ordinarily, I have very little patience for obviously inconsequential tension like we have in this episode with Beckett refusing to partner up with Castle. It's the season premiere -- obviously, she's going to take him back; it's kind of the premise of the show. However, they manage to conclude the storyline in such a way that it doesn't overshadow the rest of the episode, and instead of retarding the pace, it actually ushers in some new character development.

Just when you thought this series was going to be a one seasoner, ABC goes ahead and does this.

The network has renewed Castle for a second season. ABC hasn't said how many episodes the renewal is for. In fact, they haven't even said officially that the show has been picked up for a second season. We won't find out until this Tuesday, May 19, when the network unveils all of the new shows (and which of the old ones are staying or going away) at their upfront presentation.