The new fall season isn't etched in stone yet. The networks could still make some changes, especially when it comes to time slots. But also to the casts that were in the pilots for the new shows.
Case in point, Moonlight. The new CBS vampire private eye show is already looking for a new leading lady to play opposite Alex O'Loughlin. Shannon Lucio was his romantic partner in the pilot, but they're getting rid of her and looking for someone else for the role. Lucio was formerly on The O.C.
Moonlight will air on Friday nights at 9 this fall, after the renewed Ghost Whisperer.
Here are the new TV DVDs, in stores tomorrow.
- 24 - Slim sets for seasons 1-4.
- Airwolf - Season 3
- Avatar: The Last Airbender - Book 2: Earth, Vol. 3
- Kitchen Confidential - Complete Series
- The Magnificent Seven - Season 2
- Mythbusters - Collection 1
- The O.C. - Season 4
- Roots - 30th Anniversary Edition
- Scrubs - Season 5
- Teenage Mutant Ninja Turtles - Season 1, Vol. 1
Last week I gave you a pretty big list of popular "drinkeries" from TV, but I think where I went wrong was trying too hard to list every watering hole possible. Since I'm covering eateries this week, I'm certain I'll miss some of your favorites, but I'm going to list what I believe to be the most popular dining spots from television, both past and present. And since there are way too many real spots on TV to mention (Hell's Kitchen, Kitchen Stadium, etc.), I'll stick with fictional spots, even if they're based on real ones.
This time let's go with 14 of them.
1) Arnold's/Al's Drive-In (Happy Days) -- I struggled for a bit with what I would call the number one eatery on TV, but I kept coming back to this spot. Arnold's/Al's was in nearly every episode as far as I can recall, and of course housed The Fonz's office. After it burned down, the signage changed to Al's.
(S04E16) Does this count as the end of an era? I'm not sure. When The OC first began, it sure felt like the beginning of an era. Now that it's over, I'm not exactly sure what it's the end of. Other than something that I'm really, really going to miss.
I have to be honest. The first twenty or so minutes of this episode fell pretty flat for me. I really wasn't enjoying the six-month jump, only to find out that everything we thought we knew was no more. Julie was engaged to Bullit, Taylor was back in France, and Seth and Summer had become "comfortable." Nothing was right, and despite the fact that we all knew how this was going to end, I was a little put off by the way it started. But it picked up steam and by the episode's end, I was completely satisfied with the way it all turned out.
The day is closer upon us. The end of The O.C. will come to our screens tomorrow night.. The originator and main reason why the development floodgates of Hollywood were opened to introduce us to programming such as Laguna Beach and other bad teen shows based on excess and other items of unimportance.
Although there are many broken hearted O.C. fans amongst us, we aren't that upset to see a character like Oliver Trask off into oblivion. He was able to exude as much hate that a writer could place on a single character, and I am personally glad to see him go.
Star Trek: Beyond the Final Frontier (Mon., 9PM ET, History)
Space ... it's still the final frontier. Watching this special celebrating 40 years of Star Trek, I'm struck by how forward-looking the show was. Sure, the uniforms were totally '60s and the plots were super cheesy, but the concepts were light years ahead of their time. Mr. Spock himself, Leonard Nimoy, narrates, with stars William Shatner, Patrick Stewart and Kate Mulgrew sharing insights into their various incarnations of Trek. Plus, see footage from last October's auction of Trek memorabilia.
American Idol (Tue., 8PM ET, Fox)
Is it just me or are this year's top 24 contestants almost completely unmemorable? Looking over their photos, I strained to recall each one. Actually, one did stand out -- the beatboxing guy, Blake. But can he sing? I think the judges were right in saying this season is more up for grabs than any since season one. This week, experience six hours of Idol overload, with the top 12 boys performing tonight, the girls taking their turn tomorrow and a two-hour results show Thursday. Phew!
(S04E15) It's starting to feel very final isn't it? I'm really impressed with the way the series is wrapping itself up. Some of the cheese factor still exists (Seth getting help from the homeless folks again), but for the most part the characters and their paths are falling into place.
I think this may have been the first episode of The OC that took place entirely at night. As a result, the whole episode was lit in shades of dark and light blues. It reminded me a lot of a season one episode of CSI: NY.
Overall though, what the episode really emphasized for me is how far Ryan has come. This is probably the biggest tragedy that could have possibly occurred in Newport Beach and despite that, the group remained intact with Ryan right in the middle of it. Not bad for someone who came into their lives as an outsider.
Apparently, the folks at The O.C. weighed Jeff Buckley's "Hallelujah" and Imogen Heap's "Hide and Seek" before going with the LA-based Park's ditty. It's good to see them spread the love to a lesser known commodity. Congratulations, Patrick. You're destined for graduation mix CDs everywhere. Personally, I can't wait. There's nothing better than a tear-jerking montage accompanied by a certifiable indie hit. I give you as evidence E.R.'s Green Day "Time of Your Life" montage. TV this sappy - it has to be good.
(S04E14) It's the end of the world as we know it. Well... not really, but it might be the end of Newport Beach. I have to say, I kind of like the idea that the finale Josh Schwartz "always planned to do" for The OC involves an earthquake. It's the ultimate closure for a show that takes place in California and depending on how bad you want to make it (it looked pretty bad), it can immediately force everyone into a situation where they're forced to start over.
Closure is key though. With only two episodes to go now, a lot of the broad ideas that have been lingering since the beginning of the season were brought back into play. Seth's indecisiveness, Ryan's emotional awkwardness, and Sandy's dislike for Newport all manifested themselves in some pretty creative ways. It was a satisfying episode.
Hello. My name is Keith and I'm a spoiler junkie. This is Spoilers Anonymous, a weekly column here at TV Squad where we'll supply you with the dirt on some of the more popular shows on the air. We'll never put spoilers up here on the main page in order to help the reformed stay unspoiled. If you have anything to add to the group, feel free to step up and let yourself be heard, either with our tips form or by emailing us at tvsquad at gmail dot com or call and leave a message at 917-421-9477 (NY) - your anonymity is guaranteed, if you wish to remain as such.
This week we have: Crossing Jordan, Heroes, House, Jericho, Lost, The O.C., Rescue Me, The Sopranos, Ugly Betty and Veronica Mars. (SPOILERS FOLLOW!)
(S04E13) One down and four to go. It's starting to feel like the end too, isn't it? Everyone seems to be finding their place. Sort of.
First off... Frank. I don't think I like him as much as I did the first time around. The whole idea of Ryan's father suddenly being in the picture feels a little forced. It was really the one unresolved thing left in his life and for that reason I suppose it makes sense that he's here now. It's just awkward and I can't quite put my finger on why. Maybe because he's been around for about 8 seconds and he's in love with Julie? Or because it's Kevin Sorbo?
I suppose it doesn't matter because the one thing you have to remember is what the show is about.
(S04E12) Was anyone else slightly disappointed with this episode? It just felt kind of so-so to me. Plus, everything that was meant to be a big shock wasn't all that shocking. I know it's selfish to expect a masterpiece week in and week out, but this was the fifth to last episode. In this instance, I think we're justified in hoping for more.
All that being said, it was still a decent episode. Plenty of funny moments involving groundhogs, mail trucks, and the return of Bullit. Bang!
Anne Heche sure loves 'em and leaves 'em. ET is reporting the Men in Trees star has left husband Coley Laffoon (with whom she has a son) for co-star James Tupper. Heche and Tupper's characters are romantically involved on the show.
But here's the problem with co-stars hooking up: they often eventually break up. And when they do, it sure causes havoc with TV storylines.
(S04E11) Lots going on here, a pretty jam packed episode. As usual, I loved it but there were a few things that irked me. I gripe because I love. Like all fans of The OC, I'm savoring every second of it though. Only five more episodes and it's over.
Just look at how much the show has evolved though. Stuff that happened in this episode would have never occurred in the first season. It's changed a lot and I'm all for it. The show is done. Might as well go out with a bang.
(S04E10) You can tell that Josh Schwartz and his writing team are having fun with this season. They knew the show was going to be canceled well before we did. So it only makes sense that these remaining episodes feel fresh, like the writers are taking chances. Why wouldn't they? The show is over -- they can do whatever they want.
There are pros and cons to that though. Sometimes too much creative freedom can be a bad thing. Example one? I feel like Sandy and Kirsten have been forgotten. Especially Sandy. It seems that lately his only role has been popping in here and there to offer brief words of advice to Ryan. Although I will say that his Jerry Lewis impersonation was hilarious.
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