the guardian
Brit Tries To Figure Out American TV
Anna Pickard of The Guardian set out to find out if some very American scenarios we see on TV all the time actually are true. Do police officers eat donuts all the time? Do women eat ice cream right out of the container when they break up with someone? Do people actually walk down the street carrying groceries in a paper bag?
Is Top Gear about to run out of road?
Top Gear is one of those shows that feels like it could go on forever. It's been on for a long time, yet still manages to retain a rare youthful exuberance that makes it feel fresh and forever young. It's the Dick Clark of the British television world. But nothing lasts forever and producer Andy Wilman told The Guardian that Top Gear, like all great shows, is headed towards a finale.
And there is no bigger critic of the show than Wilman. He said they were "too rushed and too knackered to get everything right" and were just wanting to get to the end of the latest season running in the UK. He even described the presents as caricatures of themselves with "Jezza (Jeremy Clarkson) the walking nuclear bomb, Richard (Hammond) the daft Norman Wisdom, and James (May) the bumbling professor."
Does this put you off of the new season coming to the States in January? It sure does for me.
New TV on DVD releases this week
Here are the new TV DVDs, in stores tomorrow.Why didn't somebody tell me that they were going to release The Guardian on DVD? I really liked that show. I don't know if the show is being released because Simon Baker and The Mentalist are a hit or if it has been in the works long before that, but it's a nice surprise.
- The Barbara Stanwyck Show - Vol. 1
- Battlestar Galactica - The Plan
- CBS News Sunday Morning - On The Road with Charles Kuralt: Set 1
- The Diary of Anne Frank - Miniseries
Harlan Ellison suing Paramount over Star Trek stuff
Harlan Ellison is a great writer and also one guy you don't want to piss off.He wrote the classic Star Trek episode "City on the Edge of Forever" (often called by best episode of the original series by fans and non-fans alike), and now he's suing CBS-Paramount over what they have done with the story since he got paid for writing it in 1967. He got paid for the script and got residuals, but in the years after the episode aired the studio has not only published a sequel trilogy with Pocket Books based on the episode, they even had a "Guardian of Forever" talking Hallmark Christmas ornament that said Ellison's lines from his script, so he wants his money.
Rookie sensation: The Mentalist tops the Nielsens
In sports parlance, every now and then a rookie sensation comes along and is an instant success. Like Robert Redford in The Natural, only it's fact and not fiction. In TV parlance, Simon Baker -- who kind of looks like younger Redford (think The Sting and The Way We Were) -- has pulled off a rookie success that makes him look like pure gold. The latest weekly Nielsen ratings are in and The Mentalist is number one, just slightly ahead of NCIS, with 18.8 million viewers. Simon Baker has a certifiable, solid and probably long-term hit series on his hands, and you know the powers that be at CBS have to be dancing in the corridors at the Black Rock.
Supernatural: Jus In Bello

(S03E12) There's no way that Kripke and the team over at Supernatural HQ could have foreseen the strike, only completing 12 episodes, and an extended break after episode 12. Had they been able to do that though, it's hard to imagine a better send off as we head into the break than what we saw in "Jus In Bello." The return of Henricksen and the introduction of Lilith made for a great mid (3/4) season intermission.
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This UK critic likes the American version of The Office
I finally watched the original, British version of The Office, and it's quite good. I still like the American version more though. That has nothing to do with the quality of the British version, really, it has more to do with the pace, the rhythm, the American-ized problems that the show focuses on, and the cast. Though I do think it's just funnier too.
This UK critic agrees. Though he thinks the Ricky Gervais original is a masterpiece and that some of the darker nuances have been lost in the American version, he thinks it's more entertaining and hasn't had that feeling that it had to burn out after a dozen episodes. He loves the fact that after three seasons it's still "remarkably fresh," and likes that Michael Scott is a different sort of annoying boss than David Brent and appreciates the real drama in the Jim/Pam relationship.
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