There are a lot of TV show set designs that I love, but I've never really given any thought to how put them together exactly. I used to assume they just drew up plans and/or blueprints with the measurements and all that and then the set designers and the rest of the crew would build the sets. I never once thought they were done this way.
On The Set has pictures of the original dioramas (those little models you might have built for a class back in school, though I never did) made for various shows over the years. These things are great! Check out the Price is Right set above. The site even has more dioramas from the show, from different angles.
Tonight's episode of House made me wish it was 1995 and I was still living in the freshmen dorms at Trenton State College. If I were back in college, I would be able to wander out to the hallway right now and start a philosophical conversation about what is more important: your happiness or your health? I mean after all, bra, what's the point of being healthy if you're unable to enjoy it? I could then go on to question whether the color blue was the same for me as it is for everyone else. Deeeeeeeeep.
Well, I don't have a freshmen dorm at my disposal, but I do have TV Squad. Epiphanies, philosophy, and syphilis after the jump...
Television has a long standing tradition of making its stars feel more popular than they really are. As somebody who used to be on TV, five nights a a week, I know what that feeling is like. Generally when that person leaves television, they go on to do movies or change professions and they often become even more popular. However, there is always that TV celebrity who overestimates how much people want to see them and when they leave their hit TV show, it ends up being the biggest mistake of their career.
Before Caruso became the star of the weakest part of the CSI franchise, he was the star of NYPD Blue. After playing numerous bit parts on TV and in film, he finally hit the big time. The critics and the public both agreed that he was a breath of fresh air in what had become a stale world of TV dramas. He was sexy and tough, just like his show and he fit in perfectly with his supporting characters. Then suddenly, Caruso decided he was too talented for the small screen and bailed on the show. His much talked-about departure allowed him to make unwatchable films like Jade and the remake of Kiss of Death that nobody asked for. Luckily, the ginger-haired tough guy was able to revive his career, but one can't help but wonder how different things would have been had he continued to be Detective John Kelly.
It was something of the opposite of "Peter's Two Dads." Where that one excelled with the structure of the story, this one wasn't as strong. But the collection of cutaways presented with this episode was far superior. Of course, given that I only liked one of them last week, that's a pretty low bar. We'll save those for last though, and get to the meat of the episode. As is often the case, we had a Peter story balanced with a Stewie story.
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