time travel

(S05E10) "A twelve-year-old Ben Linus brought me a chicken salad sandwich. How do you think I'm doing?" - Sayid

Hands down, no doubt about it - best episode of the season. "He's Our You" was much more of a traditional Lost episode, in the sense that we had regular ol' flashbacks. There's been a lot of questions about Sayid (we haven't seen too much of him this season), and this was probably the most sensible way to do it - lay out his current predicament while flashing to all the moments that got him there. Who likes sandwiches?

(S05E09) "Dude, your English is awesome." - Hurley

We've had two weeks to stew on the events of "LaFleur" and maybe that's why I went into "Namaste" expecting so much more. That isn't to say that I was disappointed with the Oceanic Six/Left Behinders reunion. The simplest way to put it is that the nature of the narrative on Lost has forced the show to change so that these are the types of stories that are most organic to the plot now.

The flashbacks from the first few seasons are a distant memory at this point, and it's exciting because for a while now, we've been watching stuff that didn't already happen. Well ... technically it did since they're all in 1977 now, but you get what I mean. One thing is for certain - no matter how you slice it, three years is a long time.

(S05E08) "Yeah, thanks anyway Plato." - Sawyer

I think the best way to describe this episode was safe. Nothing crazy or out of place happened and you knew how it was going to end the second it began. Think of it this way - when we first started watching Lost, it was like dumping a giant puzzle onto the floor. At this point, the entire puzzle is assembled, and for the most part, we can almost see the big picture, save for a bunch of pieces that are still missing. "LaFleur" was one of those pieces.

(S05E07) "I remember dying." - Locke

I was really excited for this episode. However, and it wasn't bad, but it turns out that the whole mystery surrounding John's alter ego Jeremy Bentham wasn't much of a mystery after all. The entire hour played out as a laundry list of confirmations - things that we either kind-of-sort-of knew based on past episodes or things that most avid fans of Lost assumed to be true anyway. If anything, it was a nice pat of the back because it's always a good feeling to think every now and then, "Hey, I do get this show!"

(S05E06) "We're not going to Guam, are we?" - Lapidus

Whether you've been prepared for it or not, Lost is becoming a very different show. I'm not bringing that up as a negative. I'm not bringing it up as a positive either. This is just the natural progression of what has become the most densely written sci-fi drama ever. Eventually, we were going to reach a point that just seemed utterly ridiculous even by Lost's standards.

Let me put it this way - for as far-fetched a show as Lost is (that isn't a bad thing), I've never really felt like I had to suspend my disbelief to buy into it. With this episode, I did.

(S05E05) "Um... he's Korean. I'm from Encino." - Miles

The beautiful thing about Lost is that there's never two bad episodes in a row. That's not to say that "The Little Prince" wasn't good, but it certainly wasn't what we've come to expect. It was just too slow. Not the case this week - "This Place is Death" roared back and didn't let up once during its 60 minutes of perfection.

After last week's revelation that Jin was indeed still alive (Was anyone actually surprised by this?), the attention immediately shifted from him to the people who rescued him - Danielle Rousseau's research team. Fans (myself included) were furious when Danielle was killed so nonchalantly last season, mainly because we still had so many questions about her backstory and history on the island. Wish granted.

I'm a sucker for time travel shows. I loved it when Star Trek did it (all of the Star Trek shows did it, several times) and Back to the Future is one of my favorite films. So I'm really enjoying Lost this season, with it's time-tripping and skipping. But I have some problems with it, and so does Jeopardy champion Ken Jennings.

Jennings mentions on his blog that he thinks the writers have actually answered too many questions, which isn't a complaint that you hear from Lost fans too often. He thinks if they had left more plot questions, some of the things that happened in previous seasons "could now be explained as the actions of Future Juliet or Future Sawyer or somebody."

Jennings thinks it's smart that the show has the rule that you can't change what happened, because if something happens a certain way it will always happen that way. But I think the show is breaking that rule here and there.

(S05E04) "I have to make them come back... even if it kills me." - Locke

And so begins the quest of Jeremy Bentham. That's been one of the real treats this season - seeing the Oceanic Six in the present while having their plot juxtaposed against the real-time (well... as "real-time" as real-time can get when you're time traveling) plight of those still on the island three years ago. The fact that we only saw Locke lay the foundation for his plan involving the Orchid to get everyone back was still mesmerizing. I love knowing what happens to him but not knowing the circumstances of his "suicide" and how he ended up in that coffin at Hoffs Drawler. Despite the lack of any more development on Locke's plan beyond what we got, this episode was still phenomenal - mainly because two people we've all been missing finally showed up again.

(S05E03) "Because... he's one of my people." - Locke

I really need to get in the habit of taping my mouth shut while watching Lost because my jaw is always on the floor by the end of every episode. Time-traveling has added an entirely new dimension (literally) to the story-telling techniques of this show and the first three hours of this season have been some of Lost's best. The flash-backs always lacked a certain amount of tension because they already happened. On the flip side of the same coin, the same can be said about the flash-forwards because you know they're going to happen. But time-traveling has created this new ripple where nothing has permanence anymore, whether it happened, is happening, or will happen. This is mesmerizing stuff to watch unfold because everything becomes new the second Faraday, Locke, and Co. make a new jump. They may not be altering the ultimate outcome, but they are altering the moment.

(S05E01) "You're gonna have to die, John." - Richard Alpert

Time travel! The future is now! later! here! gone! beginning! ending! OK, I give up. Lost is back and the future is... well, we don't know what the future is. Or the past. Or the present. All we know is what they were, because now they're just one big time travelin' mess.

As with seasons past of Lost, the fifth chapter of TV's favorite mindf*ck opens by presenting an entirely new storytelling technique - one that demands equal parts patience, attention, and imagination. More than anything, it's a test for true fans because the casual Lost viewer (do they exist?) probably had a hard time moving from A to Z (worst metaphor ever - I know) in tonight's season premiere. That being said, this whole hour gave me my own bloody nose.

(S08E11) Geoff Johns writes! When a comic book writer has a chance to write an episode of a television show based on a comic book character, you can usually count on inside references. This is very evident in the first 2009 episode of Smallville. For further information on the Legion of Super-Heroes, go here.

I cannot express my sheer joy at the fact that Lana was not whiny in the episode and is becoming likable. Whatever she was doing during those missing 7 months, keep it up.

(S01E07) In what would have been the season finale if this were the British version of the show, Sam finally meets his father (and talks to himself as well, in an amusing timey-wimey sort of way). Originally, his father left him on his fourth birthday right after the party. Now, something else happened.

On a tangential note, I do wish this show had theme music of some sort. Preferably something akin to the style of '70s police television dramas. The opening montage seems to go too quickly. At least, this is what I thought while listening to the '70s-style music during the opening chase scene.

Life on Mars does has a slower pace than most of the other shows on television. Fortunately, it is kept interesting by being filled with eye candy such as wide shots and different colors. The shirts and the wallpapers alone fascinate me. I even got a laugh from Gene Hunt's loafers.

I was really excited about the prospect of Life on Mars coming to ABC television. I speak in the past tense because everything that has happened since that initial announcement has me doubting that ABC's Americanized Life on Mars will ever make it out of the first season. It may not even air six episodes.

There have been production changes, the first pilot was trashed, they've inserted new characters, they've remade the mythology of the show (with the approval of the British creators), and now more news. The character of Annie Norris on Life on Mars will be played by Gretchen Mol. Yes, the beautiful, sexy and very blond Gretchen Mol. (Okay, she can dye her hair.)

I have the ultimate respect for Ms. Mol. She was excellent in 3:10 to Yuma (a really amazing Western that should have gotten some Oscar consideration). I just think she's the wrong choice for the role of Annie.

So in the most recent episode of Lost, Christian Shephard told Locke that the only way they can save the island from the invaders is if they, um, move it. Yeah, that's right, move the island. Thanks Doctor Shephard, I'll get right on that.

But viewers thinking that this was some crazy thing that could only happen on television and in the movies are...well, probably right. But in this Popular Mechanics article, the author of the book Physics of the Impossible says that it actually could be done. Michio Kaku says that it sounds like they're going to use the electromagnetic properties of the island and the Casmir Effect to "open a transferable wormhole to different points in time and space."

(Hold on a second while I go take two Advil.)

I don't know if this is good news or bad... David E. Kelley may be checking out of Life on Mars, the ABC pilot based on the hit BBC crime/time travel drama. According to Variety, the prolific Mr. Kelley -- Boston Legal, L.A. Law, Picket Fences, Ally MacBeal, The Practice, Chicago Hope, etc. -- is unhappy with the financial arrangements and if things aren't worked out, he's going to move on.

Life on Mars was a terrific show. The UK version has played on BBC America, starring John Simm and Philip Glenister. Following the British model, the series lasted just two years -- 16 episodes total. In the ABC pilot, which Thomas Schlamme directed, Jason O'Mara (Men in Trees) is playing Simm's role, Sam; Colm Meaney (Star Trek: The Next Generation) is Gene. Kelley wrote the American variation on the story of Sam Tyler, a police detective in present day who awakens from a car crash to find he's living in 1973. Has he really gone back in time or is it all in his head?